The Master B signal is available pre or post MASTER L/R fader and can be mono-summed if desired.

The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on faders just like the Master L/R signal, which makes for comfortable and intuitive operation. The 11-band stereo equalizer can be routed to the Master channels or else to either or both of the Monitor Sends according to choice. In the Master Section, too, the CMS3 mixers are lavishly equipped. Three-band tone controls are provided, and a Balance control replaces the PAN control found in the mono channel strips. Separate Gain controls are provided for the Stereo Line and Mic inputs to permit them to be used in parallel if desired. The two other stereo inputs receive in addition the four channels of the digital audio interface USB 1-2 and USB 3-4 Two of the four stereo inputs of each model are additionally equipped with cinch (RCA) sockets switched in parallel for CD or MP3 players. The stereo input channels are equipped in much the same way, but optimized, naturally, to carry stereo signals. The channel faders are dust-protected and offer not only excellent crosstalk attenuation but also a practice-optimized control characteristic.Īll potentiometers and faders are high-quality components from ALPS. Mute and PFL switches each with their own LED, make it possible to mute each input channel individually and/or listen to its pre-fader signal.Įach channel offers a Signal Present and Peak LED for level control. 2 (MON) are designed as monitor sends, each being equipped with a sweepable anti-feedback filter in the Master section.2 (AUX) can be configured either as monitor or effects sends by means of a switch in the Main section.2 (FX) are assiged to the two effects devices.In all, 6 AUX busses are available in each case: With their extended buss structures, the CMS3 mixers offer very flexible configuration options. Optimized for ease-of-use, the 3-band semi-parametric equalizer makes it possible even for unpracticed users to perform the requisite corrections swiftly and intuitively. A very typical DYNACORD feature is the asymmetrical Voicing Filter by means of which, if desired, the voice can be powerfully emphasized in the mix. The switchable Lo Cut filter (80Hz, 18dB/oct.) serves to eliminate low-frequency noise. The Gain can be controlled in the range 0-60 dB. The Line Input and Channel Insert are implemented as jack sockets. The +48V phantom power for condenser microphones can be switched in groups of six. The XLR microphone input is equipped with an extremely high quality, ultra-low noise, discrete preamp. Here's what Dynacord have to say about the CMS16003: MIC/LINE Input Channels The Dynacord CMS 1600 Combines ultra quiet pre-amps, professional effects and portability making this one of the most versatile mixers available.

Dynacord Usb Audio Driver